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CO-CREATION: Dissecting the Anatomy of the Ward Method  E-mail

 

Co-Creation: The Lost Art of Creating a World Together.

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In the Autumn of 1973, when I was teaching at the University of California, Berkeley, I was approached by a group of students wanting to take advantage of the Arch 191A (12 credit) course that had been designed in the aftermath of the strikes associated with Richard Nixon’s invasion of Cambodia and the Kent State killings. The course had been designed, along student demands, to provide an integrated undergraduate programme of work and study that they could direct and evaluate themselves over an extended period. By that time, the course had been running for a year, and previous projects had been very successful. Previous projects had included the design of a Mercado by a group of Hispanic students, the design of a residential Architectural Education collective, the design of a sustainable community using combinations of solar, wind and micro-hydro power systems, and, in the last project, the design and construction of a house for a client in Santa Cruz, California. That project had been very successful, but not without its problems, as students who were unaccustomed to co-creativity and group decision-making struggled with the conflicts that such a complex project inevitably brought to the surface. Now, one year later, these students wanted to repeat the process. They wanted to design and build a house, with their free labour, if they could find a client who would provide them with a site and the building materials. I accepted their challenge, and what follows is an extended and analytical record of the story of that project. The Woodside project continued to exert an influence on my work and teaching until the present. What I learned then I have applied over the thirty-five years since that time, and almost always with great success. I will always be deeply grateful to the students and client on the Woodside project for the things they taught me.

The act of co-creation is never easy. We are not taught, in school or out, how to create beautiful things with others. All of our training is directed, on the contrary, towards competitive individualism, possessiveness, and sometimes envy. The students on the Woodside project taught me to understand that it is possible to move beyond these culturally determined ethics and mores, and to attain a skill and an ability to make a better world in the company and with the help and support of caring others. That, for me, has been the most important learning in my life, and one that I now hope to pass on to others so that we can confront the problems and difficulties that face us as a community, and in so doing create a world fit for our children and their children.
 

 

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What People Say

Pepi Leistyna
Thanks for forwarding this to me; it's a really great review, not just in the sense that it's supportive, but it really situates the book within the issues and the issues within the book. It's obvious that you have a fine command of this material and I'm glad to now be aware of your Webpage and will turn my students on to it.
 
Peter McLaren
Great article Tony!  And what a terrific website! A wonderful job bringing together themes and issues of importance to critical educators everywhere. There is much to offer social justice educators from a variety of fields. Well done, companero.(Peter Mclaren)
 
Philip Wexler

 I am in awe of your energy, diligence and resilience, and beyond that, astuteness and resoluteness in maintaining a critical stance. Those are a lot of paper(s) to work through. Thanks also for reading my paper carefully. I worried, that with a critical stance, you mighy be impatient with my reaching back into the classical tradition in social theory, and especially Weber, whom we don't usually think of as critical. But, you grasped my point precisely and encouraged me about the value of such less than obvious sorts of critical work. Good on you, if that is the appropriate term. Thanks for your work and, as someone once said to me, in passing, many years ago, Don't lose your critical edge."

Best wishes, Philip

 

 
Noah de Lissovoy
Thank you for sending along this great review.  I appreciate your insightful observations on my chapter and on the volume as a whole.  It's great to see such a careful and close reading of the book. I am also impressed by your wonderful website. All the best,

Noah
 
Joan Wink
I know I've told you this before, but thanks so much for this treasure of resources.  I really appreciate all you do for so many.

Great webpages.
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Ira Shor
A colleague sent me a blog mentioning me which you had graciously responded to offering your website as a resource on critical pedagogy. Just wanted to thank you for the work you've put into this admirable decoding of the critical end of things...(Ira Shor )
 
Antonia Darder
This is a great resource! I will definitely... pass on the information to others. (Antonia Darder )
 
Peter Mayo
This is a superb resource which forges links between important areas -architecture, sociology and critical education.  I shall certainly share this with colleagues/students, friends and family members starting with my daughter who is an architect. It is also a brilliant teaching tool.
 

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